Franciszek Starowieyski from a our new favorite book about Polish graphic design
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Tyler Spangler Graphic Design
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Graphic Violence on the Screen, edited by Thomas R. Atkins, Monarch Press, 1976. From the Monarch Film Studies book series.
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"When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another’s skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything."
I had this friend whose mom was one of those badass, ultra supportive moms. Although she said a lot of things that have stuck to my ribs, she once told my friend and I that we were not afraid, and that’s what would get us out of whatever unpleasant situation we found ourselves in.
And I am going to stop being afraid. I’ve been whining about the cruelty of the city and the passage of time etc etc but honestly, I have changed too. Four months and enough pressure is a lot. I am sure I’m more prepared for whatever this is. I’m tired of making the same goddam mistakes.
Today has been good, and was a nice reminder that I’m going to be ok. Sure, I am complicated and bitter, but I have so much love in my life, even if that love is spread around across the country. I have this city, which I’ll relearn until it stops reminding me of a desperate 4 months ago. I try to be kind. I am passionate, and above all I am sincere. (And I look really damn good today. It would’ve been a shame to stay at home.)
I refuse to be displaced from my own existence.
Tadanori Yokoo, poster design, 1979. For Kanox, fire-resistant fabric.
Maurizio Cattelan and Pierpaolo Ferrari/New York Magazine








